zaten aramaya inanmak denilen bir şey var.arayın olur
b-612
ben
yazılan
evrensel küme
dumanla iletişim için
336
00:24:28,664 --> 00:24:31,564
Selam Isabelle. Merhaba.
337
00:24:32,864 --> 00:24:35,764
Merhaba.
338
00:24:37,964 --> 00:24:39,364
Merhaba Isabelle.
339
00:24:40,964 --> 00:24:43,864
Merhaba Isabelle. Isabelle.
340
00:24:53,664 --> 00:24:55,864
9 saat 37 dakika erken başladım.
341
00:24:56,063 --> 00:24:58,763
Bu iyiye işaret çünkü
toplam 577 dakika eder.
342
00:25:00,563 --> 00:25:02,163
Asal sayı.
343
00:25:05,863 --> 00:25:07,563
N'aber Isabelle?
344
00:25:30,063 --> 00:25:31,263
Geç kaldım.
345
00:25:31,463 --> 00:25:34,563
İronik bir durum çünkü 9 saat
23 dakika erken başlamıştım.
346
00:26:06,763 --> 00:26:08,163
Bu saatten sonra...
347
00:26:08,363 --> 00:26:09,863
...muhtemelen gitmesem
daha iyi olur, ne dersin?
348
00:26:15,063 --> 00:26:17,363
Yani çoktan gitmiştir.
349
00:26:17,863 --> 00:26:21,163
Yok eğer gitmediyse, beni gördüğünde
gerçekten çok sinirlenecek...
350
00:26:22,462 --> 00:26:24,662
Ve ne söyleyeceğimi bilmiyorum.
351
00:26:24,862 --> 00:26:27,262
Ne söyleyeceğimi bilemediğim
zaman nasıl olduğumu bilirsin.
352
00:26:28,362 --> 00:26:30,762
Muhtemelen gitmesem daha iyi olur.
<20120924/b>
#
<1
00:02:31,278 --> 00:02:34,322
In the Steven Spielberg movie "E.T.",
2
00:02:35,032 --> 00:02:37,283
why's the alien brown?
3
00:02:39,245 --> 00:02:40,620
No reason.
4
00:02:41,956 --> 00:02:43,498
In "Love Story",
5
00:02:43,666 --> 00:02:47,502
why did the two characters
fall madly in love with each other?
6
00:02:48,588 --> 00:02:49,796
No reason.
7
00:02:50,590 --> 00:02:53,133
In Oliver Stone's "JFK",
8
00:02:53,301 --> 00:02:57,471
Why's the President suddenly
assassinated by some stranger?
9
00:02:58,598 --> 00:02:59,974
No reason.
10
00:03:00,475 --> 00:03:04,103
In the excellent "Chainsaw Massacre"
by Tobe Hooper,
11
00:03:04,271 --> 00:03:07,064
why don't we ever see the characters
go to the bathroom...
12
00:03:07,232 --> 00:03:10,777
or wash their hands,
like people doing in real life?
13
00:03:11,487 --> 00:03:12,820
Absolutely no reason.
14
00:03:12,988 --> 00:03:16,574
Worse, in "The Pianist" by Polanski,
15
00:03:17,243 --> 00:03:20,912
how come this guy has to hide
and live like a bomb...
16
00:03:21,080 --> 00:03:23,832
when he plays the piano so well?
17
00:03:24,000 --> 00:03:26,209
Once again the answer is "no reason".
18
00:03:26,377 --> 00:03:28,712
I could go on for hours
with more examples.
19
00:03:28,880 --> 00:03:30,380
The list is endless.
20
00:03:30,548 --> 00:03:33,008
You probably never gave it a thought.
21
00:03:33,176 --> 00:03:35,427
But all great films,
22
00:03:35,595 --> 00:03:37,388
without exception,
23
00:03:37,556 --> 00:03:41,058
contain an important element--
a "no reason".
24
00:03:41,226 --> 00:03:42,810
And you know why?
25
00:03:43,395 --> 00:03:45,354
Because life itself...
26
00:03:45,522 --> 00:03:48,566
is filled with "no reason".
27
00:03:49,234 --> 00:03:51,611
Why can't we see the air all around us?
28
00:03:51,779 --> 00:03:53,112
No reason.
29
00:03:53,781 --> 00:03:56,116
Why're we always thinking?
30
00:03:56,283 --> 00:03:57,575
No reason.
31
00:03:57,743 --> 00:04:01,913
Why do some people love sausages
and other people hate sausages?
32
00:04:02,227 --> 00:04:04,417
No fuckin' reason.
33
00:04:05,126 --> 00:04:08,295
Come on, don't waste your time
explaining that garbage. Let's go!
34
00:04:08,463 --> 00:04:10,380
Just one minute. Let me finish.
35
00:04:13,134 --> 00:04:14,927
Ladies, gentlemen,
36
00:04:15,846 --> 00:04:18,097
the film you're about to see today
37
00:04:18,265 --> 00:04:21,642
is an homage to the "no reason"--
38
00:04:22,561 --> 00:04:26,105
that most powerful element...of style.
Etiketler: rubber
br>
<20:23/b>
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